Winback may lack the team strategy elements of Rainbow Six, but what it does have is an innovative control scheme that maximizes the Nintendo 64 controller capabilities and allows for what I consider, for the first-time, the ability to manipulate a videogame character with real-world stealth techniques that are practically accurate.
According to ESRB, this game contains: Animated Violence, Mild Language
All in all, Winback surprised me, it's faults like the graphics and music (Chi and I agree here) and AI (I think it needs some work) take it down a bit but they certainly don't ruin it. Often, I was able to do things, like a duck and roll for a sweet shot of an unsuspecting guard that looked real and certainly felt rewarding once I did it.
Almost from the beginning, people who saw the character designs were scratching their heads. Jet Force Gemini was supposed to be a juxtaposition of cute mascot-like characters and violent, gory action, but it never worked out. Even after they were redone to be more mainstream, they still looked unnatural and downright creepy. I was grateful that I spent most of the game looking at their backs but when it came to Vela (in her too-short skirt), I couldn't shake this uneasy feeling I had while playing as her.
According to ESRB, this game contains: Animated Violence
Yet the thing that singly bugged me the most was the graphics or, rather, the overall art direction that Rare took. Yes, like Dale mentioned, the graphics are technically amazing and push the N64 to likes of which the system has never seen. But stylistically, the game is a mess.
Duke Nukem is an aged marketing concept, where a hulking guy destroys everything in his path and highlights the destruction with cool one-liners. It was worked to perfection in the 80s when Arnold Schwartzenegger and Sylvester Stallone were dominating the box office. But in the 1990s, even Sly and Arnold have conceded to the times and have changed accordingly.
Duke Nukem may have entered the gaming scene as kiddy shareware fodder for the PC, but somewhere along the way, he evolved into a technologically advanced first-person shooter (FPS) with a politically incorrect bad-boy attitude that brought him recognition. Since then, developers have tried unsuccessfully to plug his mug into more lucrative, mainstream console systems, some of which came in the form of third-person auctioneers.
According to ESRB, this game contains: Animated Blood & Gore, Animated Violence
Only in this day and age could a game of such amalgamated ideas like Aliens Versus Predator (AvP) exist. But did the game take its creative direction from the six movies featuring the two sci-fi antagonists, or was it the never-developed screenplay for the vapor film (of the same name) that never materialized? What about the series of Dark Horse comics? Then again, wasn't there already an AvP game for the underachieving Atari Jaguar system?