After playing and reviewing Fear Effect 2: Retro Helix, I knew almost instantly that I wanted to interview its creators at Kronos Digital. The unique blend of Hollywood-esque production values, trendy anime cyber-punk, and eastern-style mysticism topped off with gratuitous doses of ultra-violence and candid sex appeal had me wondering just what kind of mind is able to process all these different sensibilities and produce a videogame of such artistic quality.
Tag: Kronos Digital
I don’t think I was thinking about Thelma & Louise when I created Hana and Rain. I think it was closer to Xena and Gabrielle instead. Regardless, the relationship between Hana and Rain was not my main focus when I wrote the story for Retro Helix. I think it just got blown out of proportion due to the ads and the media coverage.
In an industry that can't seem to distinguish the fine line between mature and immature, the sexist T & A ad campaign for Fear Effect 2: Retro Helix was very troublesome to me. By alienating women and targeting the more sexually depraved and adolescent minded part of the male population, Fear Effect 2 signals a dangerous trend that may eventually condemn videogames to the same narrow ghetto culture that plagues comic books.
According to the ESRB, this game contains: Animated Blood & Gore, Animated Violence, Suggestive Themes
While I wouldn't go so far as to say that Fear Effect 2 is the digital entertainment equivalent of a cutting-edge novel or soul-searching film, it certainly pushes the envelope of games by going boldly where almost no console titles have gone before in terms of what qualities they are expected to contain, and it manages to do it with panache.