Dead Boring

HIGH Detailed camp management.

LOW Lack of interactive elements.

WTF Zombies don’t notice anything?


 

Dead Age is a zombie-themed title that combines elements of visual novels, turn-based combat, and tactical strategy.

In a post-apocalyptic world, the player’s job is to maintain a camp that can sustain as many survivors as possible. This is accomplished by fighting zombies and enemy humans in turn-based combat, looting, exploring via visual novel mechanics, and also by making decisions about the use of resources and skills.  This last aspect is heavily centered on assigning jobs and skills to survivors, managing inventory, and creating/collecting resources, all done via menus.

Narratively, Dead Age starts with a fairly compelling introduction by leaving the survival of the protagonist’s sister a mystery. It’s a zombie game, of course, so there are only a few ways this could go, but it was an emotional beginning to what ultimately turned into a dead-boring game because, unfortunately, there’s just not much here.

Looting plays out like a card game, where the option to loot or not appears on screen with a yes/no option and the player selects their choice. The result is displayed in text.

There don’t seem to be any time limitations in the turn-based combat, but there’s so little strategy involved that it loses the pressure of survival that typically makes zombie games exciting — it feels stagnant, and I rarely even had to look at the screen to proceed.

Assigning jobs is a simple process in Dead Age. Each character has a set of unique skills, strengths, and weaknesses to consider from a menu, and some of them offer quests that hint at their concerns or goals for the camp. With these in mind, assigning jobs is a matter of balancing the needs of the camp with the needs of the player – characters working in the camp can’t be used as companions on quests, and companions on quests may die in battle, resulting in a skill loss for the camp.

This system also helps propel the narrative, making the protagonist’s experience with death and loss more thematic. Early on, I entered a battle with a new companion who promised to help the protagonist through his grief, as she had recently lost her own family. Unfortunately, my strategy combat skills aren’t so great, and she was quickly mauled by a cheerleader zombie. The upshot is that the protagonist’s comments on these events make it more poignant than the death of a random NPC might otherwise be.

Overall, Dead Age felt like an old-school educational computer game — something like Liberty’s Kids or Carmen Sandiego where the extent of gameplay is reading and being shown things happening, with little engagement from the player.  There was no excitement or thrill to it — the presentation is dry, the gameplay is simple and repetitive, and the story goes nowhere. Send this one back to the boneyard. Rating: 3 out of 10


 

Disclosures: This game is developed by Silent Dreams and published by Headup Games. It is currently available on Android, Microsoft Windows, and Xbox One. This copy of the game was obtained via publisher and reviewed on the Xbox One. Approximately 3 hours of play were devoted to the single-player mode, and the game was not completed. There are no multiplayer modes. 

Parents: According to the ESRB, this game is rated M and contains Violence, Blood and Gore, and Language. This rating feels pretty spot on, although I’d add that there are some pretty emotionally heavy tones that come with any post-apocalyptic story, as far as the loss of friends and family goes.

Colorblind Modes: There are no colorblind modes available in the options.

Deaf & Hard of Hearing Gamers: Playing without sound caused no gameplay problems. Dialogue is subtitled in text at the bottom of the screen, but there are no captions for non-speech noises. Subtitles require pressing a button to move through them. There are no options to change the size of subtitles. It’s fully accessible.

Remappable Controls: This game’s controls are not remappable. There is no control diagram. The cursor is moved with the left stick and options are selected with A. Right and left triggers and bumpers are used to cycle between tabs in the backpack menu.

Rebekah Cheeley

Rebekah Cheeley

Rebekah's introduction to videogames came when she was 6 and got a Gamecube with Super Mario Sunshine for Christmas. Since then, she's been effectively preferring NPCs to real humans and procrastinating by moonlighting as a Witcher, assassin, wizard, conduit, and more.

Rebekah first found GameCritics doing a research paper about accessibility in videogames, and was intrigued by the standards found on the site. Seeing an opportunity to combine a love of games with a love of writing, Rebekah reached out and has been writing for GC since then.
Rebekah Cheeley

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