Así-Así

HIGH Going on rampages as the giant chicken.

LOW The final dungeon feels like it goes on forever.

WTF Flame Face’s needlessly convoluted combos.


 

There’s usually a moment at the beginning of a Metroid game in which Samus loses all of her hard-earned equipment from the previous adventure, giving players an excuse to have to go find it all again. The Guacamelee! series doesn’t hide that it owes a lot to Metroid, extending far beyond the fact that players obtain new upgrades from – I’m not kidding here – “Choozo Statues.” So for all I know, the fact that protagonist Juan spends most of Guacamelee! 2 re-learning all of the same abilities as the first game could be an elaborate joke.

That’s probably me giving the game too much credit, though. Guacamelee! 2 is simply the first DrinkBox Studios game that one could describe as “predictable,” and the sort of sequel that wallows in its predecessors’ successes without pushing the envelope any further.

For those unaware, the original Guacamelee! was a 2D metroidvania set in Mexico, blending a robust physical combat system with some of the most devilish platforming challenges I’ve ever been faced with. For more detail, read Brad Gallaway’s glowing review of it here.

Guacamelee! 2 offers more of the same, but with less reward – it’s not as invigorating to master these moves after already mastering them last time. Most of the improvements have been to the combat. While Juan’s moveset is largely the same, he has an RPG-lite upgrade system that primarily makes his attacks more powerful, and his chicken form – previously only used to navigating small spaces, à la the Morph Ball – can now be used to fight.

I haven’t played the original Guacamelee! since its release, so for all I know, this sequel is perfectly consistent in quality and the formula just doesn’t hold up. However, something I’ve noticed in 2018 (after five years of metroidvanias having overpopulated the indie market) is how inorganic Guacamelee! 2 feels as an exploration-based title. Most of the abilities that expand Juan’s navigation are color-coded, and it feels static and arbitrary to simply wall off parts of a level with red or green blocks to mark how far I’m allowed to go.

This artificiality also deflates the excitement of giving the chicken fighting moves, because they’re mostly used to smash through purple and orange blocks. For those keeping track, that’s a whole two more block colors this time around.

DrinkBox’s signature bright, exaggerated visual style is on full display and as striking as ever, though in this case it’s so overdone that it detracts from the functionality of the environments. Guacamelee! 2 has such a consistently busy look to it that none of its levels feel like places, so my efforts to visualize specific regions only manifest as a big blur. The entire campaign is just a set of oversaturated corridors with no reason for actually being there except to put us through now-familiar motions.

One aspect of Guacamelee! that definitely hasn’t aged well is its sense of humor. I was totally onboard when DrinkBox took on a darker, more twisted tone with Severed (which I loved, unlike Brad), so it’s disappointing to see them regress back into tired meme usage and punchline-free references to other videogames. There’s even a Dark Souls callout so trite that this isn’t even the first game I’ve played this year to make the exact same joke.

Worst of all, Guacamelee! 2’s penchant for self-deprecating humor often functions as an acknowledgement and dismissal of its own issues. Why yes, it is awfully convenient that I’ve suddenly been pulled into an alternate timeline in which I must save the world in roughly the same manner as my last go, but no, Guacamelee! 2 doesn’t stop being an uncharacteristically halfhearted rehash just because the writers scored a few easy laughs from it. Rating: 5.5 out of 10


 

Disclosures: This game is developed and published by DrinkBox Studios. It is currently available on PlayStation 4 and PC. This copy of the game was obtained via publisher and reviewed on the PlayStation 4. Approximately 11 hours of play were devoted to the single-player mode, and the game was completed30 minutes of play were spent playing cooperatively. 

Parents: According to the ESRB, this game is rated E10+ and contains Fantasy Violence, Mild Language and Alcohol Reference. It’s all very cartoonish and not remotely objectionable.

Colorblind Modes: There are no colorblind modes available in the options.

Deaf & Hard of Hearing Gamers: All dialogue is text-based, and audio cues play no vital role in the game. It’s fully accessible.

Remappable Controls: No, this game’s controls are not remappable.

Mike Suskie

Mike Suskie

Mike's first exposure to video games was when his parents bought him a Game Boy and a copy of Kirby's Dream Land. Completing it gave him the boost of confidence that launched a lifelong enthusiasm for the medium. Later in his life, he went back and discovered that Kirby's Dream Land is actually a laughably easy game that can be finished in about 20 minutes, but no matter.

He was born and raised in Amish country and has yet to escape, despite a brief stint in Philadelphia, where he attended Temple University. He took a one-credit course there called "Career Opportunities for English Majors," which painted a bleak picture for prospective writers. Mike remains steadfast in his ongoing role as a video game critic, however, and has recently written for GamesRadar. Most of his work can be found on HonestGamers, where he has contributed over 200 reviews to date.

When not playing games or writing about them, Mike is a rabid indie music fan and ardent concertgoer. He doesn't read as much as he probably should, but his current favorite author is Alastair Reynolds.
Mike Suskie

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Yeah, it’s hard to recommend this game to people who’ve played the first. If you liked the first, well, here’s more of pretty much the exact same thing.