A Push-Button Time Machine
HIGH Finally making it through the hidden dungeon in the desert.
LOW Getting stun-locked by Mummy Dragon over and over again.
WTF 8-bit Lion-Man is male, but modern Lion-Man is female. Are they saying something?
While other remakes and throwbacks have featured 8-bit characters or levels designed to give a nod to classic roots, Wonder Boy III: The Dragon’s Trap allows players to explore an amazingly accurate recreation of the 1989 Sega Master System original, and then with the push of a button, they can switch to a lush, hand-animated re-imagining of same. Flat color backgrounds become lush vistas stretching into the distance, blobs with eyes and teeth transform into beautifully-sketched monstrosities, and an upbeat chiptune soundtrack fades into an light and playful orchestral score.
There are two entire games in Wonder Boy III: The Dragon’s Trap, and it’s an accomplishment that should be marveled at, studied and applauded.
It’s hard to say enough about the visuals. Every character is animated and full of life, from the half-dozen creatures the player can transform into, all the way up to the wide variety of dragon bosses. The attention to detail is fantastic, with every incidental bit of graphical flourish drawing the eye and wowing with the amount of work that obviously went into its construction.
In terms of gameplay, WBIII feels like an 8-bit game, because, fundamentally, it still is one, although the central design is fairly advanced. Instead of separate levels to be explored in order, the game plops the player down in the middle of a hub town and lets them explore at their own pace with soft barriers requiring new powers to bypass, giving the game a Metroidvania feel.
The controls and combat are what one would expect from a direct port of an 8-bit title — jump, attack, and block with shields by not attacking. It’s not particularly complex, but characters move with more realistic momentum than in similar games, which takes some getting used to at first, but ends up giving the platforming a unique rhythm.
The key mechanics are the ‘curses’ levied upon the character each time they defeat a boss. It’s a playful idea – finish off an area, and be transformed into a completely different character with new powers and limitations. Each area is designed so that only one character can make their way through, ensuring that players will need to learn each new playstyle. Then, they’ll immediately use those new skills to find and unlock new areas and dungeons. Occasionally, players will have to re-explore the world a little to remind themselves where the next objective is, but the game isn’t so huge that it ever feels like a chore.
Every character form has its own set of advantages and drawbacks. For example, the Dragon is immune to lava but has a weak ranged weapon, while the Mouse has the shortest range and a shield that covers its whole body. There are other forms, and players will have ample chances to experiment with all of them during the grinding they’ll have to do to make it through the game.
…Oh yes, the grinding.
I wasn’t expecting to farm gold in an 8-bit platformer, but each new character transformation requires its own set of equipment, all of which are fairly pricey. In addition, when players run out of health, they’re tossed back to the starting village if they don’t have a potion. These potions aren’t convenient to buy, so players who aren’t immensely skilled will find themselves forced to kill the same monsters over and over, hoping they’ll drop enough medicine and single-use magic powers to get through challenging dungeons.
While the grinding isn’t great, the only truly questionable thing about the design is the way damage is handled. Whenever the player gets hit, they’re staggered and made briefly invincible – nothing wrong there – but while invincible, they can be struck and staggered again, which can lead to a chain effect of enemies bulldozing the player around the screen. It’s a weird misstep in an otherwise tightly-controlled game, and it’s most noticeable during boss fights. Almost all of the enemy dragons have charge attacks, and watching them shove a blinking player character around the screen gets old, fast.
Wonder Boy‘s developers are making the argument that good design is good design no matter how old the game is, and if it takes a fresh coat of paint to make people realize that, then so be it. Yes, The Dragon’s Trap is one of the best-looking 2D sprite-based platformers ever, but beneath that gorgeous exterior is a fundamentally well-built adventure platformer. All the player needs to do to prove the truth of that statement is tap one button and discover just how good gamers had it twenty-eight years ago.
Disclosures: This game is developed by Lizardcube and published by DotEmu. It is currently available on PC/PS4/XB1/NSW This copy of the game was obtained via publisher and reviewed on the PS4. Approximately 8 hours of play were devoted to the single-player mode, and the game was completed. There are no multiplayer modes.
Parents: According to the ESRB, this game is rated E and contains mild cartoon violence, tobacco reference. This is completely harmless fantasy violence. Yes, there are some undead mummies, and a somewhat saucily-attired nurse, but by and large this should be fine for children of all ages. The tobacco reference is a cigar-smoking pig shopkeeper. As I said – essentially harmless.
Deaf & Hard of Hearing Gamers: There are no significant audio cues that will affect your gameplay.
Remappable Controls: No, this game’s controls are not remappable.
Colorblind Modes: There are no colorblind modes available in the options.
Nothing relevant to this conversation, that's for sure! Because we're here to talk about (sorry, write and read about, respectively) GC_Danny, who's updating this profile for the first time in thirteen years!
So let's take a gander back at that time and see what's happened! In addition to writing hundreds of video game reviews, Dan produced a book that can be legally purchased by almost anyone! He also wrote two short films, two episodes of television, and two movies! Although, sadly, and through much fault of his own, the movies have yet to be released.
In addition to general game reviewing, he's also dabbled in more long-form work, writing some of the longest and most comprehensive game reviews of all time. Then there's his non-GameCritics blogging, where he's famous as the world's foremost expert on the TV show Criminal Minds, as well as the co-host of a weekly podcast - he's even working on a new videogame/critical experiment, which you can find out more about here!
If all that wasn't enough, just a few months ago he rebranded himself as 'The Hidden Object Guru', hoping to stake another claim of ultimate expertise, this time over a genre of casual games! Will he be successful? Only time will tell, but you're free to join the thrilling ride at his YouTube channel!