Jennifer Allen over at Resolution Magazine in the UK was gracious enough to forward a link to an article, in which writer Mark Raymond discusses likely reasons why the recent Enslaved: Odyssey to the West has underperformed spectacularly, as some would say.
It's a very well-written piece and exactly sums up my own thoughts—specifically that the buy-in price of $60 is much too high for a game which is known to be a "one time through" kind of experience, in addition to its status as an unfamiliar IP.
If you ask me, this situation with Enslaved was exactly the sort of instance when the industry should have rolled out a lower price point to reflect the relatively small amount of content on the disc, in addition to enticing more people on a budget to take a risk on something that they may or may not like. As much as I hate to say it, $60 is just too much for a game of this sort and as a critic, I would've had a much easier time recommending Enslaved if it had launched at $30 or even $40.
It sucks to factor economics into the critical equation, but that's just real life. I sincerely hope that the industry will snap out of this one-price-point-rules-them-all mentality and realizes that the people buying their games aren't made of money.
Speaking of new IPs, today Atlus announced a brand-new one: The Cursed Crusade. Not much is known about it, but it seems as though they might be trying to capitalize a bit on the success of their recent superstar (and my game of the year for 2009) Demon’s Souls… And you know what? That would be absolutely all right with me. Check out the debut trailer below and see what you think. It's certainly got my attention.
Brad still loves Transformers, he's on Marvel Puzzle Quest when nobody's looking, and his favorite game of all time is a toss-up between the first Mass Effect and The Witcher 3. You can catch his written work here at GameCritics and you can hear him weekly on the @SoVideogames Podcast. Follow Brad on Twitter and Instagram at @BradGallaway, or contact him via email:
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Latest posts by Brad Gallaway (see all)
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