In my opinion. If I've learned anything from countless flames and attacks by trolls during my time on the Internet, it's that prefacing highly subjective statements like "Most so-and-so" with "In my opinion" usually dampens some of the aggression. In the next few posts, I will be going over what I feel are the most disappointing, overrated, underrated, and downright best games of the year. Naturally, this is just one humble blogger's take on a rather eventful year, and I will be more than happy to receive any disagreements, diatribes, words of encouragement, non-sequitors, and excoriating rumors regarding my manhood in the comments section. Just please remember to keep it somewhat civil.
I've already posted my take on Call of Duty: Modern Warfare 2's now-(in)famous "No Russian" chapter. I was not content to simply post my own thoughts on the matter, however. Given the uproar and truly interesting commentary that has sprung up around the game sequence, I wanted to survey a few of my fellow bloggers regarding their own opinions and experiences. I received a handful of responses to my request for commentary: Some authors had played the sequence in question, some had not. Some felt quite strongly in the positive, others in the negative. Some responses were longer pieces, others were short remarks or pointed me towards an existing blog post.
What compels us to spend 25, 40, 50, even 70+ hours on a single game? We think we've figured it out. Join us for conversation about Dragon Age, Assassin's Creed 2, Way of the Samurai 3, Torchlight and Borderlands DLC. With Chi Kong Lui, Brad Gallaway, Mike Bracken, and Tim "Yes, I Like Borderlands Now" Spaeth.
So, I'm replaying Mass Effect. Why? Well, I had no plans to. I had a blast playing it the first time through, felt totally satisfied, and was greatly looking forward to the next installment. Over, done with, finished.
Game Description: Get ready to plunge into the lush and deadly world of the Italian Renaissance, an era of arts, riches and murderous conspiracy. Assassin's Creed II introduces you to Ezio, a new assassin carrying on the deadly lineage of his forebears. Confront an epic tale of power and corruption as you hone your assassin's art, wielding weapons and instruments designed by the legendary Leonardo da Vinci himself in this gripping and deadly sequel.
Last post, I mentioned that the tendency to choose segregation as a means to solve problems was a feature of many societies in the world of Dragon Age. Another, related motif appearing in many Thedan societies is the existence of a rigidly-defined social order in which a person's status and even his occupation are set at the moment of birth. To varying degrees this kind of social rigidity appears in almost every social group in the game (except the elves). Through its dialogue and plot, Dragon Age: Origins repudiates these systems, but in its mechanics it supports them.
Playing Dragon Age gave me a relatively frequent sense of déjà vu. Although the game portrays a number of different nations and societies, there are recurrent features that speak to underlying ideas about the psychology of its inhabitants. One such motif is the tendency for its denizens to solve their problems through segregation. At several levels, the people of the continent of Thedas like to resolve issues by pushing problematic groups into isolated areas and pretending, as much as possible, that they no longer exist.
Still on my quest to play all the "big" games of 2009, I've almost got Uncharted 2 wrapped up… only two or three more sections to go. Having already put together a rough list of the year's top ten, I was wondering which title I might have to bump to make room for it. That concern is now moot, since it's not going to make the list.
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