As a card-carrying lover of all things zombie, and a huge fan of the old 16-bit game Zombies Ate My Neighbors, I've been keeping tabs on Burn, Zombie Burn! since I first heard about it last year.
The game, from developer Doublesix, features a lead character named Bruce (hurray for more Bruce Campbell references in video games!) who works through multiple stages slaughtering hordes of cartoonish zombies. The title looks to feature parallels between not only Zombies Ate My Neighbors, but also the classic Robotron. The idea is to gather huge masses of zombie together and slaughter them all at once for huge scores and bonus multipliers. I'm so sold on this game that it's not even funny…
Doublesix has (according to Kotaku) planned a big celebration for the game's release—they've lined up competitions (with trophies) for high scores and prizes like "horror themed holidays" (no clue what that might be—but it sounds cool) and shirts, artwork and other prizes. The game will also feature some downloadable extra content such as a strategy guide, music, and an 8-page comic book.
Burn, Zombie Burn! is a PlayStation Network exclusive and will be available for download on March 26th. Expect a review sometime not long after that.
Have you ever found yourself playing something that you weren't really crazy about, but you played it anyway? There are lots of reasons for doing so… maybe you spent the last of your budget on a title that the reviews were far too kind to, or maybe there's nothing really hot or exciting on shelves and you've got nothing better to do. Whatever the case, I imagine that anyone who plays games finds themselves in that same position occasionally. That was the situation this afternoon.
When we asked you to pick any game for us to discuss, we certainly didn't expect you to pick God Hand. But you did, so we did. Plus, what makes a critic a critic, Streets of Rage 2 (no, that's not a typo), and at long last, Chi Kong Lui on River City Ransom. Warning: This episode contains a revelation that will BLOW YOUR MIND. Featuring Chi Kong Lui, Brad Gallaway, Mike Bracken, and Tim Spaeth.
In preparation for this week's podcast (just wrapped up recording a few hours ago) we asked readers on the forums what title they'd like us to talk about, and they selected God Hand, from now-defunct Clover Studios. In all honesty, I never saw that one coming.
I picked up a copy back in '06 when it was brand-spanking new, and I think I logged somewhere around an hour or an hour and a half with it before I tossed it aside. I seriously hated the game at the time, my patience for its cumbersome controls and infuriating camera to be basically nil. It also didn't help that the game has an absolutely terrible first level, and does the bare minimum to introduce players to what it's all about.
Another peek into the inner workings of fan-pleasin' publisher, they were kind enough to send along some photos and information on their upcoming title Tokyo Beat Down for the Nintendo DS. Unless you're the type of player that regularly picks up golden oldies, I'm guessing that it's been a while since a side-scrolling beat'em-up has come your way.
New York Comic Con is in full swing, and I’m still bummed that I’m not there (a golden opportunity to meet Takashi Miike has now passed me by…)
Despite that, I’m still scouring the interweb for any interesting news that happens at the show. The first really cool thing I’ve found is this trailer for the new Splatterhouse game courtesy of GameTrailers.
The game looks pretty impressive—sort of like a horrific God of War. You can see some Prince of Persia-esque platforming sequences in the trailer, as well as a ton of gruesomely imagined brawler-styled melee combat.
I’m optimistic that this game might actually be, you know, good. We’ll know for sure come April 28th, when the game debuts on the PS3 and Xbox 360 and hits retailers nationwide.
I see a lot of things slowly. I sometimes have to consciously work out what things are, and I miss many things in my environment simply because I don't have enough time to notice them: people on bicycles, for instance, or something I'm looking for on a shelf, or vacuum hoses. ("What's that thing—a snake? No, it's too big to be in anything but the rain forest. And it's not moving"). While needing time to process what I'm looking at is more of a problem in real space than when looking at a screen, I've found a tool that helps me learn Street Fighter II skills by slowing the game down to something that's more my speed.
Two articles touch on the subject of experience behind a game critic. The most recent example is MTV's Stephen Totilo not being adept at basic moves for Street Fighter II, a heralded and historically important game series.
As video games mature, so does its criticism. Totilo and N'Gai Croal bring a certain air of legitimacy in the mainstream media that many other writers in the industry lack.
However to maintain a level of balance and fairness, a critic needs to be very well rounded.
Doing a hurricane kick in Street Fighter is as basic for a gamer as what a film lover would do in citing a movie like Annie Hall or Citizen Kane.
Sure a gamer need not necessarily need to grow up in that era, or be heavily involved in the culture.
But imagine if a movie critic knew nothing of Annie Hall? Or Raging Bull? Imagine a videogame critic not even knowing how to do the most basic move in fighting games? As long as the critic is forthcoming about it, I don't think any credibility would be lost.
However, and more importantly, I would know who to trust less.
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