Not Much Under that 'Do-rag
HIGH The Cole Train runs on whole grain!!
LOW Marcus's uber-meathead actions at game's end.
WTF So many unanswered questions from so many angles.
The superstar Gears of War franchise, famous for its thick, rich bro aroma and for mounting a chainsaw on the underside of an assault rifle, has now come to a close with the subject of this review. While many saw Gears 3 as one of 2011's best games and a slam-bang endcap to one of the 360's heaviest hitters, I have to admit to being a little disappointed. For all the promises of "bigger, better, more," it didn't manage to deliver in a way that really mattered to me.
Technically speaking, it's easy to see that Gears 3 is the most polished in the series. Dashing behind architecture and engaging in the trademark "stop and pop" cover-based shooting is prettier and smoother than it's ever been. It's hard to imagine anyone faulting the nuts and bolts here, and rightly so—Epic's had two previous games' worth of experience to nail it down tight. In a larger sense, though, it's hard to avoid a mild sense of dissatisfaction.
Although I came to Gears 3 not expecting drastic changes, I was still a bit surprised at how plodding and predictable it felt. There were big set pieces and "wow" moments designed to get the blood pumping, but little of it had much impact. It is, essentially, the same sort of thing Gears has offered before, but this time the magic had worn off. Rather than getting caught up in the moment, I was mechanically going through motions I'd already been through twice. That's not to say it was bad, necessarily, just that it wasn't different enough—there's only so much adrenaline to be generated by room after room of waist-high cover objects and enemies at the far side.
While spending a few minutes with occasional survivors and piecing together what must have happened in the game's final area were interesting non-combat peeks into the Gears world, I wouldn't have minded seeing even more mortar in the gaps. I certainly would have appreciated more "incidental" firefights between Lambent and Locust, more variety in the game's flow, or something else to help to create the illusion that the planet my troopers were fighting to save was more than a series of obvious target zones. That said, laying waste to all opposition ticks all the boxes it needs to. Guns are fired, enemies go down.
However, while the action is to spec, I was puzzled and disappointed by the characterizations and story in general. It's true that Gears of War has always been rightly pegged as something that didn't concern itself with complicated story arcs or deep character work. On the other hand, after well and truly covering the bro aspects of a squad in the shit twice before, this final chapter seemed a perfect place to take it a half-step further. Unfortunately, as with the game in general, that was not meant to be.
While I applaud the addition of female COG troopers and the fact that they weren't used as jokes or as sexual objects, the rest of the script is inert despite several ham-handed attempts to pull the heartstrings. For example, the first "emotional scene" with Cole had me utterly confused—I couldn't tell if it was supposed to be genuinely touching, or if it was intended to make me laugh. Either way, it bombed. The next "big scene" can't be discussed without enormous spoilers, but I will say that it felt noticeably forced, and the slow-motion-with-somber-music accompanying it was almost a parody of the famous Gears television commercials.
Those awkward emo scenes were bad, but I was at a total loss with regard to main character Marcus Fenix. At the absolute end of the conflict, he's clumsily set up to commit an act of violence which I found disturbing; not only does it seem to indicate that he's either incapable of (or unwilling to) participate in higher thought processes, I could make no sense as to what message Epic was trying to give. Was their intent to portray Marcus as nothing more than a low-level footsoldier who can't see past the trenches? Were they trying to show that even the toughest COG trooper could be overwhelmed by emotion? Or worse yet, were players actually supposed to cheer at his choice, defiantly made in the face of information which would make any person with half a brain pause?
Epic goes out of their way to taunt the player with questions that don't get answered at the end of Gears 3, and not only do they leave these loose ends dangling, for me they left Marcus Fenix's true nature unresolved. Whether that was an intentional (if murky) artistic choice, or a cruel hook attached to "illuminating" DLC coming at some point in the future, it left a bitter taste in my mouth. Rather than the perfect end to a thrilling series, it seemed like the developers were afraid to take real risks with either the story or the gameplay of Gears 3. Hoo-rah?
Disclosures: This game was obtained via retail and reviewed on the Xbox 360. Approximately 12 hours of play were devoted to the co-op campaign mode, and the game was completed. All 12 hours of play were spent in co-op multiplayer mode.
Parents: According to the ESRB, this game contains blood and gore, intense violence, and strong language. Parents, despite the popularity of the franchise, please keep children away from this one. There's plenty of salty language and the game is all about killing humanoids and assorted monsters in various bloody ways—and the gore is not skimped on. Although there is no sexual content, it's quite clear to see that the game is aimed squarely at adult players. No small ones allowed.
Deaf & Hard of Hearing: You shouldn't have too much difficulty. Although it is a fast-paced game, there are on-screen prompts showing the direction of incoming attacks when enemies are off-screen, and there are subtitles available for all dialogue.
Currently, he's got about 42 minutes a night to play because adulting is a timesuck, but despite that, he's a happily married guy with two kids who both have better K/D ratios than he does.
Brad still loves Transformers, he's on Marvel Puzzle Quest when nobody at the office is looking, and his favorite game of all time is the first Mass Effect -- and he thought the trilogy's ending was Just Fine, Thanks.
Follow Brad on Twitter at @BradGallaway
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