Game Description: After Burner: Black Falcon puts you into customizable fighter jets, for intense arcade gameplay. Players maneuver through a barrage of missiles and enemy fire, destroying all terrorist targets in the air or on land. Budding pilots can also dogfight competitively via Ad Hoc in a variety of multiplayer modes, or work with another pilot to achieve co-op-only goals. For the first time, have intense arcade fun with many more in-depth features—all in one game!
Having been a fan of Planet Moon's previous work (conceptually, anyway), I was quite disappointed to see that none of their trademark absurdist sense of humor made it into After Burner. I suppose it wouldn't be a good fit for a game aiming to be a straightforward Top Gun sort of thing, but it would have added some life to a product whose biggest failing is repetition and lack of excitement.
Feeling like an on-rails shooter more than a fly-anywhere project like Namco's Ace Combat, the selected aircraft (there are several to choose from) shoots straight ahead like a rocket while the scenery goes whizzing by. Very little steering is involved. In truth, this aspect of the design is quite faithful to the source material, and I don't fault it for that—it's actually somewhat charming in a retro sort of way.
Although there's only so much you can do with flight combat, After Burner's main issue is that the formula for the entire game, start to finish, is completely revealed by level two; when ground targets are locked-on, hit circle. When air targets are locked on, hit square. Each level features two refueling stops, and one major ground target that blows up in a brief cut-scene. Repeat said pattern until credits roll.
If the formula had been broken up and had different types of levels and objectives (preferably much shorter ones) it would have been good enough to keep me busy with a few days of mindless shooting. Sadly, the action becomes so stale, so fast that all excitement rushes out like air escaping from the flatulent end of an untied balloon.
Apart from the Xeroxed missions, pilot selection was another whiffed opportunity. There are three throttle jockeys available before starting the main campaign, each with their own "flying style" and level requirements. (One leans towards fast completion times, another tries to rack up the most collateral damage, et cetera.) The problem was that once one was selected there was no way to change if I wanted to try a different one. Are players really expected to start a new game just to try each pilot when the action's this static?
Though I appreciated the surprisingly plentiful aircraft customization options like crazy paint jobs and extra wings, that aspect was a small spark amidst a whole lot of fizzle—and anyway, saying the best part of the experience was adding a fat set of exhaust pipes to my stealth fighter amounts to small praise, indeed.
After Burner may be spiritually true to Sega's seminal 1987 hit, but game design has progressed by leaps and bounds since then. Cleaving so closely to its dusty, outdated forefather hurt more than it helped, I'd say.
According to ESRB, this game contains: Mild Language, Mild Suggestive Themes, Violence, and Use of Tobacco
Parents shouldn't be concerned. Although I only completed one character's story arc out of a possible three, the content I saw didn't lead me to have any concerns. Sticking strictly to average action movie content, I didn't see anything risqué or strongly suggestive in the cut-scenes. The actual gameplay segments are totally harmless; airplanes shooting other airplanes or ground targets has very little potential to corrupt America's youth.
Flight game fans may want to check it out simply because there aren't that many options on the PSP, but be aware that repetition runs thick in this title and the final stage plays just like the first one. If you're OK with one-note game design through beginning, middle, and end, it's simplistic fun for an hour or two. If you need something long-term, look elsewhere.
Deaf and Hard of Hearing gamers shouldn't have any concerns. Dialogue during cut-scenes is subtitled, and there are no significant auditory cues during gameplay. The action is extremely fast, but also extremely visual. Everything you need to know is presented on-screen.