Game Description:  Exit's unique graphics and fluid style make this yet another innovative puzzle game in Ubisoft's arsenal. As Mr. ESC, a professional escapologist who can rescue people from just about any situation, Exit players must guide themselves through numerous obstacles while rescuing victims from life-threatening situations. Situations include braving fires, earthquakes and other disasters in various environments such as buildings, hospitals and subways. Players will undertake myriad actions, including running, jumping, climbing onto ledges and climbing down ropes on their way to becoming the ultimate escape artist.

Exit – Review

Without a doubt, the next generation of hardware should be pretty fantastic from a technical standpoint—and by extension, the games should be too. These superpowered machines are more potent than ever, and it's pretty clear that the stakes are being raised for developers who want to compete; the market is being driven towards an endless cycle of must-be-a-blockbuster. However, what about indie developers and people with new ideas, or those working on a shoestring? In the coming days of mega-content and greater emphasis on details, online modes and maxing out all the bells and whistles, is there any room in the marketplace left for small studios and niche titles? There just might be on portables.

An atavistic excursion into 2D puzzle-solving, Exit is exactly the sort of game that most likely would not be released into the home console pool alongside the imminent hyper-light-sourced sharks and high-definition barracudas. Taking its core inspiration from classic material like Mechner's original Prince of Persia and Oddworld's Abe's Oddysee, it seems to fly in the face of current trends. There is no high-tech hocus-pocus; no normal mapping or completely interactive and destructible environments. It's probably about as far from open-ended, shoot everything, absurdly-realistic rendered adventure as you can get. And you know what? It's awesome.

Exit stars a visually abstract escape artist called Mr. ESC, tasked with entering dangerous situations to save civilians by pushing blocks, sliding down ropes, jumping gaps, and doing all sorts of puzzle-ish things that aren't currently in vogue. Without any real need for a story and no peripheral elements to distract, this experience is sharply focused and finely honed towards deductive reasoning and decisive action.

A typical level is a small, self-contained problem made to look like the side view of a building or set of rooms. A quick glance usually reveals what elements are present and what dangers must be avoided. The trick is that Exit places a high priority on doing things in a specific order, and although the idea of what must be done will emerge quickly, it sometimes takes a little trial and error to discover when to do what.

Over the course of 100 levels, a wide variety of elements like balancing pulleys, traversing slippery ice, swimming underwater, activating fire extinguishers, and manipulating the environment are masterfully introduced without ever overwhelming or overloading. By doing so, Exit manages to retain a high level of freshness and interest through to its conclusion— and it's also a neat trick that Taito managed to do it while never deviating from the basic formula the way some other games tend to go off-track when developers run out of ideas.

In addition to the constant expansion of factors to contend with, Mr. ESC can also employ the people he rescues towards the ultimate goal of escaping. Civilians come in three sizes, each with its own characteristics: normal adults are analogous to Mr. ESC, big adults can push heavy crates but can't jump far, and small children can crawl in narrow spaces but need help getting up to high places. Although the artificial intelligence for these helpers is weak (a lot of babysitting is needed to make sure they stay on task) controlling multiple characters at the same time adds a welcome level of complexity to something that would otherwise be fairly cut and dried.

The difficulty curve from start to finish is very measured, and I applaud Taito for the great care taken in designing these levels. For a game based solely on solving puzzles, being either too easy or too difficult would mean disaster. Although a lot of creative thinking and experimentation is required, the developers have done an outstanding job in making sure that challenge is present without too many sticking points along the way. There are definitely a handful that might stump, but in the case of frustration it's possible to jump around to another puzzle and come back to tough ones later—a brilliant move.

Exit is smart and successful for three reasons: one, because its goals and identity are crystal clear, and the developers stick to them. Two, because it takes full advantage of the PSP, not only by replacing raw horsepower with style and finesse, but also by keeping in mind that portable games should be different than console games by their very nature. Three, because it's the sort of unusual, different and refreshing project that seems to be becoming rare these days. If getting games like Exit means that I have to look to portables to find them, then plug in my battery charger; I'm here to stay. Rating: 8.5 out of 10

Exit – Consumer Guide

According to the ESRB, this game contains: Blood and Gore, Language, Violence

don't have anything to worry about. The graphics are very artistic and abstract, not at all anything that resembles realism. There is no questionable language, and no sexual situations. The only violence in the entire game is in the final set of levels when Mr. ESC can wield a lightsaber or be blasted by aliens. Even so, there is no gore or any explicit violence. It might be extremely hard for younger ones due to the heavy slant towards logic and inductive reasoning, but there is nothing here to corrupt them.

Puzzle game fans and people who liked Abe's Oddysee should get the game immediately. It follows in the same spirit closely but ends up being a more enjoyable experience altogether because the levels come in bite-sized chunks and the difficulty has been vetted to a much higher degree.

Download fans will be thrilled to know that although the game features 100 levels out-of-the-box, Taito has plans to let players download even more. At the time of this review, there were 30 more levels available, coming in themed chunks of 10 apiece.

Deaf and Hard of Hearing gamers will have no problems. The brief cutscenes are accompanied by text, and there are no significant auditory cues. Everything is visual here, and the game is so streamlined there's no need to worry about anything besides making jumps and scoping out civilians. I played about 75% of the game without sound, and had no difficulty whatsoever.