Daniel Weissenberger's blog
By Daniel Weissenberger on July 23, 2010 - 3:29pm.
The amazing thing—and I'm almost sad that I'm trying to keep this spoiler-light for the time being, because I'd love to expound on the psychological element right now—is that there are clear reasons offered by the game's story for both York's psychoses and the clear delineation of roles between the two personalities.
By Daniel Weissenberger on July 18, 2010 - 1:52am.
With the first interminable combat sequence left in the dust, it's time to a actually start meeting other characters in Deadly Premontion. But before that, let's take a look at a detail that captivated me the first time I played the game, and interests me still—a sequence of no seeming value or consequence.
By Daniel Weissenberger on July 12, 2010 - 2:34am.
Is that Deadly Premonition features combat. Any combat at all. Everything bad that has been said about this game’s combat is most likely true—even the farthest-flung flights of exaggerated embellishment. Yes, killing enemies in this game is as unbelievably frustrating and painful as trying to extract your genitals from a saw-toothed vise made out of acid.
By Daniel Weissenberger on July 5, 2010 - 6:55pm.
This is York Morgan—he'll be our Agent Dale Cooper for the remainder of the running time. That's not to say he's entirely derivative of Twin Peaks' hero—while it's true that the basic idea of the character (lone FBI Agent sent to solve a brutal crime who's unafraid of using metaphysical reasoning when faced with mysteries) owes its existence to Twin Peaks, his specifics, and the degree to which he embraces the bizarre demonstrate clearly that the game's writer was also a fan of the X-Files. Over the course of the game we'll definitely bear witness to some of Fox Mulder's characteristic glibness in the face of the bizarre and obscene, as well as Albert Rosenfeld's famous lack of social niceties.
By Daniel Weissenberger on July 1, 2010 - 3:53pm.
My first encounter with Deadly Premonition came when I spotted it on the shelves of a local video store. Suffice to say, the cover art stood out from the crowd. In a field of sports games, militaristic shooters, space marines, and the occasional swordsman v. dragon, a hooded person screaming as blood runs down their face counts as something of an anomaly. The axeman, naturally, sealed the deal. I rented the game immediately, and started playing it later that night. Just two hours in I'd already decided that I had to purchase my own copy, which I proceeded to do the next day.
By Daniel Weissenberger on April 28, 2010 - 2:30am.
Some years back I played Dead to Rights and found its plot so captivatingly, amazingly ludicrous that I wound up writing a fifty-odd page review of it. It was relatively well-received by people who worked on the game, and even wound up being mentioned in 2005's prequel, Dead to Rights II. Now, to celebrate the release of Dead to Rights: Retribution, I've decided to repost the review here, now with illustrations! Hopefully the occasional image and video will help make it a little more palatable—yes, I'm well aware that it's TL, and I won't be offended if you DR.
By Daniel Weissenberger on April 4, 2010 - 1:50am.
Well, I finally finished Heavy Rain, and was startled by a lot of things about the last few chapters. The identity of the killer, the lack of resolution offered to many parts of the story, and a certain twist that invalidates nearly everything that occurred.
By Daniel Weissenberger on April 4, 2010 - 12:11am.
Welcome to part 3 of my SPOILER-intensive analysis of Heavy Rain's story!
By Daniel Weissenberger on April 2, 2010 - 8:31am.
Look, we all know that this is basically just another Saw game, and given how bad the actual Saw game was, I understand why hopes were high for Heavy Rain, and why we'd want to give it a pass for its unoriginality. But I thought I'd take a moment to acknowledge just how similar the premises are. They're both stories about a crazed killer who kidnaps people and then creates elaborate traps inside crumbling edifices deep within America's post-industrial wastelands, designed to test how much a victim will sacrifice to save a life.
By Daniel Weissenberger on April 1, 2010 - 9:58am.
It's fair to say that I don't have the greatest confidence in David Cage's ability to create something that makes sense. Still, I decided to delve into Heavy Rain and see what he'd produced this time around. Now, four hours in, just having completed "The Bear" I'm ready with some initial comments—and these are just going to be plot things, since this isn't an official "review" of the game. Also, unless it gets really egregious I'm not going to comment on the awkward phrasing caused by the game's sometimes iffy translation.
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